From a live performance with the LA Master Chorale on October 8th, 2022 at Walt Disney Concert Hall, Grant Gershon conducting. Die Schöpfung (Hob. XXI:2). Erster Teil, Recitative "Und Gott sprach: Es bringe die Erde Gras hervor" and Aria "Nun beut die Flur das frische Grün" Gabriel (Soprano): Anna Schubert

From a live performance with the LA Master Chorale on October 8th, 2022 at Walt Disney Concert Hall, Grant Gershon conducting. Die Schöpfung (Hob. XXI:2). Zweiter Teil, Recitative "Und Gott sprach: Es bringe das Wasser" and Aria "Auf starkem Fittige schwinget sich" Gabriel (Soprano): Anna Schubert

From a live performance with the LA Master Chorale on October 8th, 2022 at Walt Disney Concert Hall, Grant Gershon conducting. Die Schöpfung (Hob. XXI:2). Dritter Teil, Recitative "Nun ist die erste Pflicht erfüllt" and Duet "Holde Gattin, dir zur Seite" Adam (Bass-Baritone): Justin Hopkins Eva (Soprano): Anna Schubert

June 2022: The world premiere of The Double at the inaugural Synchromy Opera Festival, Boston Court. Music: Vera Ivanova Libretto: Sarah LaBrie (based on the novel by Dostoyevsky) Director: Alexander Gedeon Costumes: Lena Sands Conductor: Marc Lowenstein Ensemble: Brightwork Ensemble Therapist: Scott Graff Noth: Jon Keenan Klara: Anna Schubert Double: Timur

Just a normal Saturday, obviously.

Mein Herze schwimmt im Blut (BWV 199) - J.S. Bach VIII. "Wie freudig ist mein Herz" Anna Schubert, soprano Christian Campos, conductor Lot Demeyer, oboe Moni Simeonov, violin I Melody Chang, violin II Tim Richardson, viola Mikala Schmitz, cello Evan Hillis, bass Jung-a Lee, organ

Mein Herze schwimmt im Blut (BWV 199) - J.S. Bach IV. "Tief gebückt und voller Reue" Anna Schubert, soprano Christian Campos, conductor Lot Demeyer, oboe Moni Simeonov, violin I Melody Chang, violin II Tim Richardson, viola Mikala Schmitz, cello Evan Hillis, bass Jung-a Lee, organ

This video is from my TikTok, but I thought it was fun and neat so I wanted to share it here too. 👽🪐✨ Feel free to follow me on social media if you’d like to see what I’m singing, making, doing on an (almost) day-to-day basis: Instagram @schubeard TikTok @schubeard Twitter @schubeard

Silent Night is actually one of my least favorite carols, but I was inspired last week and decided to improvise some sounds around the melody. All the sounds you hear were made by my voice (+some reverb). And I think I dig it! Hope you smoke a big fat bowl of xmas cheer and enjoy it too. This track was made for the amazing musical Advent Calendar put together by Living Music with Nadia Sirota (who also created the awesome visual graphics you see here). Thank you for having me and inspiring this piece, Nadia!

Recorded remotely as part of the 2020 Music Academy of the West Vocal Institute’s “Myths & Revelations” project. Watch the entire collaboration here: https://www.musicacademy.org/concert-hall-online/07-21-2020/ Soprano: Anna Schubert Piano: Ga-Young Park Director: James Darrah Video editor: Adam Larsen Audio engineer: Jason Schmid

Got protest songs on the mind... ¯\_(ツ)_/¯ Get involved: https://blacklivesmatters.carrd.co/ Power to the people and solidarity forever.

Made with 100% real ennui. No Anna's lungs were harmed in the making of this picture.

Felt like recording one of my favorite art songs because I am missing using my classical voice. But did I still record the accompaniment vocally like an absolute nerd? Yeah def. Music by Claude Debussy, poetry by Paul Verlaine, singing by me.

It really do be like that. This is my a cappella vocal cover of Robert Schumann's "Im wunderschönen Monat Mai" from his song cycle, Dichterliebe. Here is the text by Heinrich Heine (translated by Hal Draper): In May, the magic month of May, When all the buds were springing, Into my heart the burning Bright arrow of love came winging. In May, the magic month of May, When all the birds were singing, I told her of my yearning, My longing and heart-wringing.

A little treble polyphonic version I made today of this Psalm setting by Richard Proulx. Who doesn't love Lydian mode and parallel fifths, right?

I've been missing my grandparents lately (actually always, but especially in times of uncertainty). My grandpa introduced me to this song just before he died, and it instantly became one of my favorites. My arrangement is silly, but so was he. This one's for him and all the grandparents out there. The original was written in 1924 by Isham Jones (music) and Gus Kahn (lyrics). This is a cover of Joe Brown's version, which I heard on the album Concert for George (Live).